Het interview dat Emma had met ‘Honey & Milk’ schrijfster Rupi Kaur voor haar boekclub Our Shared Shelf is verschenen.

Emma heeft recent schrijfster Rupi Kaur geinterviewd voor haar boekenclub ‘Our Shared Shelf’, de dichtenbundel Honey and Milk is het boek voor juli en augustus. Het is nog niet bekend wanneer het interview verschijnt.

💫 Finally got to meet @rupikaur_ ! 🌻 So excited for @oursharedshelf to hear our interview! ••• Rupi, I think I first publicly said I was a feminist aged 9, and since then I have been on a worldwide search to find my tribe. Thank you for being the kindred heart & spirit I knew you would be. Heartened to know you and grateful your work is out there. 💎🌟 Your friend, E x ••• #milkandhoney #oursharedshelf

Een bericht gedeeld door Emma Watson (@emmawatson) op 20 Aug 2018 om 9:00 (PDT)

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Emma mocht voor Entertainment Weekly schrijfster Margret Atwood, schrijfster van ‘The Handmaidens Tale’ interviewen. Het boek was daarnaast gekozen als boek voor mei en juni van haar boekenclub Our Shared Shelf.

Many celebrities have book clubs, but none share the clout of Emma Watson’s “Our Shared Shelf,” which has picked up nearly 200,000 members since it launched on Goodreads in 2016. As Watson wrote when she made The Handmaid’s Tale her May/June selection, “It is a book that has never stopped fascinating readers because it articulates so vividly what it feels like for a woman to lose power over her own body.” Thanks to the recent Hulu series, Atwood’s 1985 dystopian novel has again soared to the top of the best-seller lists. Watson called up Atwood to discuss.

You were living in West Berlin when you wrote The Handmaid’s Tale in 1984; it was before the wall came down. Was being in a divided city a big influence on the novel or had you been thinking about it before you arrived in Berlin? I’d love to know how the novel came about.
I had been thinking about it before I’d arrived, and at that time — when I was in West Berlin—I also visited Czechoslovakia and East Germany and Poland. They weren’t revelations, because being as old as I am I knew about life behind the Iron Curtain, but it was very interesting to be right inside, to sense the atmosphere. East Germany was the most repressed, Czechoslovakia the second, and Poland was relatively wide open, which explains why Poland was where the Cold War wall first cracked. So it was very interesting to be there, but it wasn’t the primary inspiration.

What was the inspiration, if you don’t mind me asking?
There were three inspirations. First, what right wing people were already saying in 1980. They were saying the kinds of things they’re now doing, but at that time they didn’t have the power to do them. I believe that people who say those kinds of things will do those things if and when they get power: They’re not just funning around. So that was one of the inspirations. If you’re going to make women go back into the home, how are you going to do that? If America were to become a totalitarian state, what would that state look like? What would its aims be? What sort of excuse would it use for its atrocities? Because they all have an excuse of some kind. It would not be Communism in the United States; it would have undoubtedly been some sort of religious ideology—which it now is. By the way, that’s not an “anti religion” statement. Recently, someone said, “Religion doesn’t radicalize people, people radicalize religion.” So you can use any religion as an excuse for being repressive, and you can use any religion as an excuse for resisting repression; it works both ways, as it does in the book. So that was one set of inspirations.

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