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Vouge Australië heeft een artikel geschreven over de boeken die Emma aanraad met haar boekclub ‘Our Shared Shelf’.

A passionate reader who leaves books in public spaces and has her own online book club, Our Shared Shelf, Emma Watson talks us through some of her favourite tomes.
Conscious Business by Fred Kofman
I’ve started reading Conscious Business, which is about being mindful in your professional life. Kofman writes about responding to challenges in a way that honours your own values and builds mutually respectful relationships. I think this is so important, both for building feminist movements and for communicating with integrity.

The Mother of All Questions by Rebecca Solnit
A brilliant follow up to Men explain things to me. Her essay on the film Giant and Elizabeth Taylor was one of my favourites. I also love referring people to her essay when I am asked in the wake of the me too movement whether there can’t be any jokes or fun anymore. She also slays the myth that Feminists don’t have a sense of humour. She’s funny as hell.

Homo Deus by Yuval Noah Harari
Yuval Noah Harari has a vision for the future in which humans have mastered most of our environment, from nature to our own biology. I don’t think it’ll be a light read! But I want to try and understand the potential consequences of our scientific advances. For example, what will our world be like if artificial intelligence becomes self-determining?

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Galerij Links:
http//: Captures


Emma is dit jaar genomineerd voor de European Leadership Awards, door haar werk voor UN Woman, HeForShe en haar recente donatie voor #MeToo. De awards erkennen mensen die zich buitengewoon goed hebben ingezet voor zaken, politiek, ondernemerschap en innovatie, de awards zijn opgesplitst in 5 categorieën:
– European leader of the year
– European personality of the year
– European entrepreneur of the year
– European innovator of the year
– CEO of the year.

Emma is samen met ondernemer Xavier Niel, de Franse zakenman Mohed Altrad, Britse model Edie Campbell, de Belgische astronoom Michael Gillon, advocaat Marcia Willis Stewart, Hongaars activist Andras Fekete -Gyor en de Poolse politicus en activist Barbara Nowacka genomineerd in de categorie ‘European personality of the year’. De uitreiking vindt op 22 mei plaats in Brussel, België, hier kan gestemd worden.


Het boek dat Emma gaat lezen voor haar boekclub ‘Our Shared Shelf’ in jmaart en april is bekend. Dit zal het boek ‘Heart Beries’ van schrijfster Terese Marie Mailhot zijn. Dit boek is niet vertaald naar het Nederlands maar wel te koop bij bol.com.

Dear OSS,

One of the most memorable moments of the year for me, so far, was the honor of walking beside activist and friend, Marai Larasi at the Golden Globes. Along with learning that movements are both rewarding and really hard work, my involvement with #TimesUp in the UK and in the States is showing me how much we can do together when we stand in solidarity and how incredibly important it is for those who have privilege to use whatever they can to amplify the voices of those who are less often listened to. These are a few of the many reasons why I have chosen Terese Marie Mailhot’s Heart Berries for this month’s book.

Having always felt deeply impatient and limited by having to express myself in perfect grammar and punctuation (this was pre-apostrophe gate!), I am quietly reveling in the profundity of Mailhot’s deliberate transgression in Heart Berries and its perfect results. I love her suspicion of words. I have always been terrified and in awe of the power of words – but Mailhot does not let them silence her in Heart Berries. She finds the purest way to say what she needs to say. She refines… How beautiful are these sentences?

“I learned to make a honey reduction of the ugly sentences. Still my voice cracks.”

“When you told me, I want too much I considered how much you take.”

“I feel like my body is being drawn through a syringe.”

“I felt breathless, like every question was a step up a stairway.”

“Nothing is too ugly for this world I think it’s just that people pretend not to see.”

“I woke up as the bones of my ancestors locked in government storage.”

I won’t go on because I don’t want to ruin this book for you, but the writing is so good it’s hard not to temporarily be distracted from the content or narrative by its brilliance.

In her first paragraph, Mailhot writes, “The words were too wrong and ugly to speak. I tried to tell someone my story, but he thought it was a hustle.” Space is needed for pain; people need to be believed and to be able to tell their stories. Roxane Gay says it so perfectly when she describes the book as an “open wound, a need, naked and unapologetic.” Perhaps, because this author so generously allows us to be her witness, we are somehow able to see ourselves more clearly and become better witnesses to ourselves. This has certainly been my experience.

It feels right and vastly overdue to be reading a story from a First Nation woman with her perspective of a colonial world. I loved her keen observations of white people (like me) and their ways. It’s critical to be reminded that there are ways of thinking and seeing things that endure and have existed long before colonizers. There are a million ways to think about things! It’s good to have this named.

I read this book in one sitting, but I know I will come back to lines in it to refer to again and again and again. I felt transformed by having read Mailhot’s book as if she channeled some of her brilliance to me through osmosis. As though magically just through having read her writing, I myself became more intelligent and a better writer without having to do ANYTHING!! That’s how good she is! Her work is inspiring, in the way the best things are – you instantly want to go and DO and create yourself as a result of having come into contact with it.

With all my love,
Emma and Team Our Shared Shelf


Galerij Links:
http//: captures


Het boek dat Emma gaat lezen voor haar boekclub ‘Our Shared Shelf’ in januari en februari is bekend. Dit zal het boek ‘Why I’m No Longer Talking to White People About Race’ van schrijfster Reni Eddo-Lodge zijn. Dit boek is niet vertaald naar het Nederlands maar wel te koop bij bol.com.

Dear OSS,

There is so much racism, both in our past and present, that is not acknowledged and accounted for. I know this to be the case from my own education, and I know there is so much more for me to learn. This is why I’m excited to announce that our first book of 2018 is Why I’m No Longer Talking to White People About Race by Reni Eddo-Lodge which talks about the history of racism in Britain, and ways we can see, acknowledge and challenge racism. I am not supposed to have favourites, however this was the most important book for me this year.

When I gave my UN speech in 2015, so much of what I said was about the idea that “being a feminist is simple!” Easy! No problem! I have since learned that being a feminist is more than a single choice or decision. It’s an interrogation of self. Every time I think I’ve peeled all the layers, there’s another layer to peel. But, I also understand that the most difficult journeys are often the most worthwhile. And that this process cannot be done at anyone else’s pace or speed.

When I heard myself being called a “white feminist” I didn’t understand (I suppose I proved their case in point). What was the need to define me — or anyone else for that matter — as a feminist by race? What did this mean? Was I being called racist? Was the feminist movement more fractured than I had understood? I began…panicking.

It would have been more useful to spend the time asking myself questions like: What are the ways I have benefited from being white? In what ways do I support and uphold a system that is structurally racist? How do my race, class and gender affect my perspective? There seemed to be many types of feminists and feminism. But instead of seeing these differences as divisive, I could have asked whether defining them was actually empowering and bringing about better understanding. But I didn’t know to ask these questions.

I met a woman this year named Happy who works for an organization called Mama Cash and she told me this about her long history working in the women’s sector: “Call me out. But if you’re going to call me out, walk alongside me as I do the work”. Working alongside women like Happy is a privilege. As human beings, as friends, as family members, as partners, we all have blind spots; we need people that love us to call us out and then walk with us while we do the work.

This has been an amazing two years for me, working on Our Shared Shelf. There were moments when I wondered whether the club should be an ongoing thing. Thank you for making me sure that it would be crazy not to keep going in 2018.

Thank you to everyone who has contributed, laid themselves bare, been patient and compassionate or shared useful information with other members of the community. Thanks to those who hid books and posted their photos to Instagram, or started a talking circle or smaller club and met up in different parts of the world.

Everyone has their own journey, and it may not always be easy, but what I can promise is that you’ll meet some extremely cool people that you will REALLY love and respect along the way that will walk this path with you. You’re not alone. And even if you are, in a particular moment…remember you come from a long line of feminists who did this work, in the outside world but also inside themselves. As we move into 2018, I hope Reni Eddo-Lodge’s book empowers and inspires you as much as it has me. I am looking forward to discussing it in more detail with you soon.

Love,
Emma xx


Het boek dat Emma gaat lezen voor haar boekclub ‘Our Shared Shelf’ in maart/april is bekend. Dit zal het boek ‘The Power’ van schrijfster Naomi Alderman zijn. Dit boek is vertaald naar het Nederlands als ‘De Macht’ maar moet nog uitkomen. In januari verschijnt het boek bij bol.com.

DOur next book will be a speculative fiction novel called The Power by Naomi Alderman, winner of the 2017 Baileys Women’s Prize for Fiction. The book asks a question we might have all asked at one time: what would the world be like if women were in charge?

In the book, teenage girls all over the world begin to develop the ability to do harm by transmitting electricity through their fingertips. News spreads quickly over social media and soon the girls are teaching older women how to harness their dormant powers. In a few short years, gender roles are reversed and the world is run by women. As governments are toppled, a new woman’s republic is born, and there’s a single new religion led by a cult leader called Mother Eve.

The book follows four main characters: Tunde, a male journalist who is following the emerging stories, and three women with new found powers, Roxy, Allie and Margot. Their paths cross as the world is heading into political and religious turmoil.

Alderman challenges the cliché that women are more noble than men, and that a world run by women would be more gentle, with benevolent leaders and no war. In fact, women become power hungry and begin to repress men. They commit war atrocities, perform male genital mutilation, rape and maim for sport and kill to occupy land.

With power dynamics reversed, the women don’t choose a righteous path – they act no better than men who have abused power throughout history. I think Alderman’s point is that people who abuse, do so because they can.

Alderman presents the main part of the book as an early manuscript of an historical novel, written thousands of years in a future where women still rule, by a male novelist ‘Neil Armon’. Through letter exchanges between Neil and his mentor, a female writer called ‘Naomi’, we see a world where men’s worth is only in their looks and ‘men’s literature’ isn’t taken as seriously as women’s. This is a really clever literary device which highlights how absurd rigid gender roles are.

Neil thinks he can prove that women weren’t always the ones in positions of power, but Naomi can’t see how the history books would lie. Neil’s reality is one where men’s contributions to history have been misattributed, or even stolen, by women.

This made me think about the fact that history was written by those who held the power. It also made me think about how the distribution of power and gender roles throughout history often seems arbitrary, and how they could have perhaps ended up very differently.

I’m excited to hear what you all make of the novel.

Love,
Emma and the Our Shared Shelf team


Het boek dat Emma gaat lezen voor haar boekclub ‘Our Shared Shelf’ in september/oktober is bekend. Dit zal het boek ‘Hunger: A Memoir of (My) Body ‘ van schrijfster Roxane Gay zijn. Dit boek is wel vertaald naar het Nederlands als ‘Honger: De geschiedenis van mijn lichaam’ en is te koop bij bol.com.

Dear Our Shared Shelf,

Roxane Gay describes her book ‘Hunger’ as a “memoir about my body”. It traverses many of the issues surrounding our human bodies, the sexual experiences we have, our relationship with food, how we feel about our own bodies and the difference gender has to play on a body… When exploring how society treats people of her size, Gay asks: “What does it say about our culture that the desire for weight loss is considered a default feature of womanhood?”

What struck me the most about the book is Roxane’s searing honesty. We know that there are many people of all genders who do not feel they can talk about their experiences – who live their lives carrying the huge burden of abuse and trauma. As the author suggests, many people do not realise the suffering that follows an act like the one Roxane experienced, and how it can completely alter the way the victim identifies with themselves and others.

While parts of the book are difficult to read, it highlights the very real damage done by sexual violence and puts you in the mind and body of someone that has to move through the world in a different way. A small insight or perspective I feel grateful for now having and understanding a little bit better.

I am also re-reading essays from Gay’s ‘Bad Feminist’. We put such high expectations on ourselves as feminists, on other feminists, and the movement as a whole. It feels like such a relief to take ownership of words like “nasty woman” and “bad feminist”. They don’t have so much power this way and maybe they remind us not to hold ourselves and others to unreasonably high standards – we are all human after all and at different moments of our learning journeys. We need to feel free to be on those journeys and make mistakes. I hope if you get time you’ll enjoy what she has to say about this too.

Love,
Emma


Emma bezocht afgelopen maand de universiteit van Oxford, hier gaf ze aan enkele studenten een lezing over o.a. feminisme en het HeForShe project.

Galerij Links:
http//: 09 juni: Bezoekt de universiteit van Oxford


Emma heeft voor Entertainment Weekly schrijfster Margaret Atwood over haar boek The Handmaid’s Tale. De boek is nu recent verfilmd in gelijknamige serie op streamingsdienst Hulu.

Many celebrities have book clubs, but none share the clout of Emma Watson’s “Our Shared Shelf,” which has picked up nearly 200,000 members since it launched on Goodreads in 2016. As Watson wrote when she made The Handmaid’s Tale her May/June selection, “It is a book that has never stopped fascinating readers because it articulates so vividly what it feels like for a woman to lose power over her own body.” Thanks to the recent Hulu series, Atwood’s 1985 dystopian novel has again soared to the top of the best-seller lists. Watson called up Atwood to discuss.

Watson: You were living in West Berlin when you wrote The Handmaid’s Tale in 1984; it was before the wall came down. Was being in a divided city a big influence on the novel or had you been thinking about it before you arrived in Berlin? I’d love to know how the novel came about.
Atwood: I had been thinking about it before I’d arrived, and at that time — when I was in West Berlin—I also visited Czechoslovakia and East Germany and Poland. They weren’t revelations, because being as old as I am I knew about life behind the Iron Curtain, but it was very interesting to be right inside, to sense the atmosphere. East Germany was the most repressed, Czechoslovakia the second, and Poland was relatively wide open, which explains why Poland was where the Cold War wall first cracked. So it was very interesting to be there, but it wasn’t the primary inspiration.

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